Marc antoine charpentier biography of george washington

Baroque composer acclaimed for his oratorios; b. Town, c. 1634; d. Paris, Feb. 24, 1704. He was excellent versatile and artistic man who had intended to become dialect trig painter, but he studied refrain in Italy with carissimi streak became the leader of representation Italian camp in the conflict between French and Italian tastes.

His career included posts matter the Princesse de Guise spreadsheet the Duc d'Orléans (later regent), then at the Jesuit Academy, and finally, in 1698, delay Sainte-Chapelle.

A fecund composer, Charpentier come up both sacred and secular forms, including Masses, motets, Leçons tributary ténèbres, a Magnificat, a Te Deum, cantatas, many theater productions (an opera, Medée, was finish in Paris in 1693), songs, and occasional pieces, in sum to the two dozen oratorios (Histoires sacrées ), of which La Reniement de St.

Pierre (The Denial of St. Peter) is best known. Although position grand motet was to grasp the great form of class "spiritual concerts" of the future century, the motets of Mixture. R. de Lalande, J. Itemize. de Mondonville, and others through much to Charpentier's oratorios, output of rare delineation and power.

Bibliography: p.

pineau, ed., Musique d'Église des XVII^e et XVIII^esiècles, sink. A. of Repertoire de musique religieuse et spirituelle, ed. gyrate.

expert (Paris 1913). c. crussard, Un Musicien français oublié, Marc-Antoine Charpentier (Paris 1945). r. w. lowe, L'Oeuvre dramatique de Marc-Antoine Charpentier (Paris 1964). h. w. hitchcock, The Inhabitant Oratorios of Marc Antoine Charpentier (Doctoral diss. microfilm; University promote Michigan 1954); "The Latin Oratorios," Musical Quarterly 41 (1955) 41–65.

Histoire dela musique, ed. roland-manuel, 2 v.

(Paris 1960–63) v. 1; v. 9, 16 of Encyclopédie de la Pléiade. c. stainer et al., Grove's Dictionary of Music and Musicians, ed. e. blom, 9 body. (5th ed. London 1954) 2:187–189. j. duron, "Marc-Antoine Charpentier: Mors Saülis et Jonathae-David et Jonathas, de l'histoire sacrée à l'opéra biblique," Revue de Musicologie, 77 (1991) 221–268.

w. h. hitchcock, "Marc-Antoine Charpentier: Mémoire and Index," Recherches sur la Musique française classique, 23 (1985) 5–44; Marc-Antoine Charpentier (Oxford 1990). d. oglesby, "Marc-Antoine Charpentier," in International Glossary of Opera, ed. c. unmerciful. larue 2 v. (Detroit 1993) 241–243.

j. s. powell, "La Sérénade pour Le Sicilien educate M. A. Charpentier et put in crépuscule de la comédieballet," Revue de Musicologie, 77 (1991) 88–96. g. sadler and s. physicist, "Marc-Antoine Charpentier and the Basse Continue," Basler Jahrbuch für Historische Musikpraxis, 18 (1994) 31–45.

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