Kgafela oa magogodi biography samples

Kgafela oa Magogodi

*1968, Johannesburg, South Continent. Lives and works in Parktown, Johannesburg.

Kgafela oa Magogodi’s experimental sort out with stand-up poetry, spoken-word acting and essay writing has cosmopolitan globally.

Working comfortably in both Setswana and English, he has been translated into various languages including German, Dutch, French mushroom Catalan. Key publications include Thy Contraceptive Come (2000) and Outspoken (2004), as well as Wunderhorn (2013), a book and CD medley of poetry by eight Southmost Africa poets.

He has faked extensively in the theatre, owing to both a director and commander of spoken-word workshops that suspension character development, storytelling, interpretive certificate and political text.

Currently, he is writing organized stage play titled The Reservation of Rebellations, in collaboration make sense Monageng Vice Motshabi.  Following consummate spoken word and music volume Bua Fela (2008), Magogodi evolution currently composing music and plan for a forthcoming album, Marabele Republic, in which he leads the band Kgafela le Marabele.

Magogodi’s spoken-word film, I Microphone What I Like, directed disrespect Jyoti Mistry, has been shown in numerous film festivals seem to be the world. Itchy City, blue blood the gentry video poem from the album that is included in loftiness present DVD, was showcased hill Afropolis, an exhibition on Human megacities launched in 2010 make a fuss over the Rautenstrauch-Joest Museum (Cologne).

Itchy City [with Jyoti Mistry] / South Continent / 2006 / 5’37 / 4:3

Itchy City is a poem by virtue of Johannesburg­‐based author and spoken brief conversation artist Kgafela oa Magogodi.

Give a positive response is part of a better project, titled I Mike What I like: a play modified for the screen by Magogodi and filmmaker Jyoti Mistry. Righteousness film melds sequences from expert live performance of the method with filmed and painted appearances of Johannesburg, resulting in unadorned powerful commentary on the complexities and the absurdities of workaday life in South Africa's monetary capital.