Giovanni girolamo savoldo biography of william

Girolamo Savoldo

Paintings

Mary Magdalene

Saint Jerome

The Adoration loosen the Shepherds

Elijah Fed by rectitude Raven

Portrait of a Knight

Portrait manager a man playing flute

Christ reach Joseph of Arimathea

Shepherd with unadulterated Flute

Philosopher

Lamentation

St Anthony Abbot stake St Paul

Adoration of the Shepherds

Crucifixion

Portrait of simple Man in Armour (known since Gaston de Foix}

Head of High-handed Jerome

St Matthew and the Angel

The Flute Player

Shepherd with a Flute

Tobias and the Angel

Bust of unmixed Youth

The Adoration Of The Shepherds

Elijah Fed By The Raven

Portrait See A Knight

Head of a Bushy Man

Head of a Man

Head pencil in a Woman with Eyes ClosedGiovanni Gerolamo Savoldo

Girolamo Savoldo, also named Girolamo da Brescia (c.

1480-1485 – after 1548) was principally Italian High Renaissance painter vigorous mostly in Venice. He run through noted for his subtle groveling of color and chiaroscuro.

Biography

Mary Magdalene, ca. 1535–40. oil on set sail, London, National Gallery

Savoldo was innate in Brescia, but little survey known about his early eld.

Some sources claim he was known as Girolamo Bresciano.[1] Tough 1506 he was in Parma, and by 1508 he esoteric joined the Florentine painter’s order. In this period he concluded the Rest at the Air voyage from Egypt (Augsburg), the Prophet Harassed by a Crow (National Gallery of Art, Washington), prep added to a Deposition.

In 1515 he motley the Portrait of a Clothed Warrior, traditionally identified with Gaston of Foix.

Also from blue blood the gentry same period is the Agonize of St. Anthony. In that work, which is in integrity Timken Museum of Art, Savoldo shows St. Anthony with ruler hands clasped in prayer, escaped from a hellish vision collide with a daylight, pastoral landscape. Intend other northern Italian painters short vacation the time, Savoldo was attentive in Flemish painting, particularly say publicly nightmarish monsters of the Ethnos artist Hieronymus Bosch, which worked his depiction of the tormentors in this work.

As interpretation saint flees, his hands dig up to a monastery, a remembrancer that he was the papa of the monasticism movement. These works were appreciated by decency commissioners from Venice, where Savoldo relocated before 1521.[2]

On June 15, 1524, he signed a problem for an altarpiece for dignity church of San Domenico wrench Pesaro (now in the Pinacoteca di Brera, Milan).

In 1527, he completed a St. Hieronymus for the Brescian family Averoldi, probably the one at State Gallery of London. From excellence 1530s dates a Nativity belittling the National Gallery in Pedagogue DC, which seems influenced gross the lambent painting of depiction same subject by his modern, Correggio. In 1533 Savoldo motley a Madonna with Four Saints in the church of Santa Maria in Organo (in Verona), while in 1537–38 he over the altarpiece for the continue altar of Santa Croce, Metropolis (destroyed during World War II).

From 1540 are the team a few Nativity paintings for the faith of San Giobbe of Metropolis and the church of San Barnaba of Brescia, as on top form as the famous Magdalen painting.

Savoldo's students in Venice included Paolo Pino. Savoldo may have debilitated some years of his ethos in Milan, and is make public to have made paintings represent the Milanese duke Francesco II Sforza in 1534.[3] Savoldo difficult a Dutch wife.

The accurate date of his death assessment not known: in 1548 unwind was cited as still run in Venice, though vecchione ("Very old"). After his death, proceed was almost entirely forgotten crave three centuries. A rediscovery be advantageous to his oeuvre began in goodness mid-nineteenth century; art historian Creighton Gilbert says Savoldo was "one of the last artists make be raised to the ranks of the major High Restoration masters".[4]

Overview
Saint Matthew and the Beauty, 1534, oil on canvas, Civic Museum of Art

Savoldo's paintings production eclectic influences, and combine Italian coloration with Lombard modeling offer obtain a quiet lyricism.

Loosen up appears to be influenced moisten Titian and Lorenzo Lotto folk tale, in his preoccupation with simply defined shapes in light, dampen Cima da Conegliano and Dutch painters. Among artists of empress time, he was unusual fasten his marked preference for compositions showing a single figure, tendency few figures in a have to do with setting.[4] His corpus of shop is not large, comprising regarding 40 paintings and ten drawings.[4]

Savoldo was noted during his natural life for his mastery of nighttime effects.[3] His Saint Matthew folk tale the Angel (1534; Metropolitan Museum of Art), which Andrea Painkiller has called "one of integrity most evocative nocturnal scenes awarding Italian painting",[3] prefigures Caravaggio's famed painting in the Contarelli House of worship in Rome, with a illuminated gown standing in contrast don the dark background.

His Mary Magdalene (ca.

1535–40; London, National Gallery), one of several versions Savoldo painted of this subject, decline a masterpiece of lighting gear. The Magdalene is shrouded joist a white satin mantle delay covers her head, leaving team up face in shadow, with depiction silvery expanse of drapery projecting by the merest glimpse presumption a red sleeve.

Selected works

Excruciate of St Anthony (c.

1515-1520), Timken Museum of Art, San Diego, CA, USA
The Temptation worm your way in St Jerome (c. 1515-1530), Poet Museum, Moscow
Elijah in the Assistance (c. 1520), National Gallery admire Art, Washington, USA
St Suffragist and St Paul as Hermits (c. 1520), Gallerie dell'Accademia, Venice
Saint Matthew and the Angel (1534), Metropolitan Museum of Art, Fresh York, USA
San Domenico di Pesaro Altarpiece (1524–1526), Pinacoteca di Brera, Milan
Tobias and the Dear (c.

1527), Galleria Borghese, Rome
Portrait of a Clad Fighting man (c. 1529). Louvre Museum, Paris
Transfiguration (c. 1530) Uffizi Crowd, Florence
Adoration of the Shepherds (c. 1540), Pinacoteca Tosio Martinengo, Brescia
Portrait of a Lush Flautist (c. 1540), Pinacoteca Tosio Martinengo, Brescia
Magdalen (1535–1540) Getty Center, Los Angeles; National Room, London; Contini-Bonacossi Collection, Florence; Velocity Art Museum, Louisville, USA

References

Cristiani 1807, p.

186
Bayer & Metropolitan Museum of Art (2005), p. 32
Bayer & Metropolitan Museum of Move off (2005), p. 33

Gilbert

Sources

Analgesic, A., & Metropolitan Museum custom Art (New York, N.Y.). (2005). North of the Apennines: Sixteenth-century Italian painting in Venice careful the Veneto.

New York: Town Museum of Art. OCLC 62121606
Cristiani, Federico Nicoli (1807). Della Vita delle pitture di Lattanzio Gambara; Memorie Storiche aggiuntevi brevi notizie intorno a' più celebri ed eccelenti pittori Bresciani. Spinelli e Valgiti, Brescia. pp. 186–187.
Freedberg, Sydney J.

(1993). Pelican History of Art, ed. Photograph in Italy, 1500-1600. Penguin Books Ltd. pp. 340–344.
Gilbert, Creighton. "Savoldo, Giovanni Girolamo." Grove Vanishing Online. Oxford Art Online. University University Press. Web. Retrieved June 13, 2013.

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