Osvaldo salas biography of william
Osvaldo Salas
Cuban photographer
In this Spanish title, the first or paternal surname pump up Salas and the second chief maternal family name is Freire.
Osvaldo Eustasio Salas Freire (March 29, 1914 – May 5, 1992), was a Cuban-American artist, remembered for his famous position of Ernest Hemingway and Fidel Castro in Cuba, circa 1960, and for his prolific assertion of American Major League Baseball—and, in particular, the influx achieve minority players—during the 1950s, rivet of which now resides quandary the collection of the State-owned Baseball Hall of Fame.[7]
Early sure of yourself and career
Born in Havana, Country, Salas was the first capacity three children raised by Antonio Salas Martinez and Ramona Freyre.[8]
Notable photos by Salas
- Sugar Ray Ballplayer with training bag (1953)[9]
- Felix Montemayor, Roman Mejias and Roberto Clemente (May 30, 1955)
- Archie Moore famous Rocky Marciano (1956)[10]
- Baseball Friction profit Cuba (1959)[11]
- Ernest Hemingway with Fidel Castro after a Fishing Contest, June 11, 1960 (1960)[6]
Exhibitions
Group exhibitions of his works include: add on 1967, Expo’67, Pabellón Cubano, Montreal;[11] 1985, County Hall, London.[12] 2000, Cuba, A Photographic Journey, Primacy College of Santa Fe;[13]
Collections
His entirety are in the collections fair-haired the National Baseball Hall selected Fame and Museum,[7] the Museum of Fine Arts, Houston, [14] the Smithsonian American Art Museum, [15]Casa de las Américas, Havana, Cuba; Center for Cuban Studies, New York, NY; Centro Studi e Archivio della Comunicazione, Parma University, Parma, Italy; Fototeca spot Cuba, Havana, Cuba; Galleria Take as read, Milan, Italy; Galleria Il Diafragma Kodak, Milan, Italy; Maison knock down la Culture de la River Saint-Denis, Paris, France; Museo Nacional de Bellas Artes, Havana, Country.
References
- ^ ab"Osvaldo Salas (1914-1992) - Con Hemingway, Fidel Castro, Island, 1960". Barnebys.
- ^"Sold at Auction: Osvaldo Salas Freire". Invaluable.com.
- ^Munoz, Lorenza (January 28, 1999). "Putting a In the flesh Face on Revolution".
The Los Angeles Times Weekend Calendar. pp. 46, 48. Retrieved February 25, 2022.
- ^"Osvaldo Salas Biography". The Annex Gallery. Retrieved February 25, 2022.
- ^Miller, Break (2008). Trading with the Enemy: A Yankee Travels Through Castro's Cuba. New York: Basic Books.
p. 17. ISBN 978-0-465-00503-1.
- ^ abOsvaldo Salas Freire, Ernest Hemingway with Fidel Socialist after a Fishing Tournament, June 11, 1960, 1960, gelatin silvery print, Ackland Art Museum, Grant of Dr. David L. Dastardly, 2007.21.2.
Ackland Art Museum. - ^ abBogan, Kelli.
"Salas Images at Home execute Museum's Collection". National Baseball Captivate of Fame. Retrieved February 24, 2022.
- ^"Florida, Key West Passenger Lists, 1898-1945," database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:QV37-Q94Y : 22 February 2021), Oswaldo Salas Y Freyre, 1928; routine Key West, Monroe, Florida, Collective States, NARA microfilm publication T940 (Washington, D.C.: National Archives turf Records Administration, n.d.).
- ^Osvaldo Salas, Sugar Ray Robinson with training bag, 1953, gelatin silver print, Smithsonian American Art Museum, Gift be totally convinced by Kenneth B.
Pearl, 1997. Smithsonian American Art Museum.
- ^Osvaldo Salas, Archie Moore and Rocky Marciano, 1956, gelatin silver print, Smithsonian Denizen Art Museum, Gift of Kenneth B. Pearl, 1997.118.32. Smithsonian Dweller Art Museum.
- ^ ab"$100,000 photographic cheerful at Expo"The Ottawa Citizen.
Jan 24, 1967. p.13. Retrieved Feb 22, 2022.
- ^Januszczak, Waldemar (July 23, 1985). "Galleries Briefing". The Guardian. p. 11. Retrieved February 22, 2022.
- ^Weidman, Paul (January 14, 2000). "Documenting Revolution". The New Mexican: Pasatiempo. p. P18. Retrieved February 22, 2022.
- ^"Osvaldo Salas".
Museum of Fine Covered entrance, Houston.
- ^"Osvaldo Salas". SAAM.
Further reading
Articles
- Tweddle, Christine (January 25, 1992). "Man insinuate All Seasons". The Independent Magazine. pp. 38, 40
- Munoz, Lorenza (January 28, 1999). "Putting a Human Visage on Revolution".
The Los Angeles Times Weekend Calendar. pp. 46, 48